Into (2021) 12:05 acousmatic work on Empreintes Digitales label
Into The Forest My Wounded Arms Wide Open (2021) 10m04 acousmatic work on Empreintes Digitales label
Into The Forest (2021) 9m52 acousmatic work on Empreintes Digitales label
Into The Forest I’ve Seen Under(2021) 7m37 acousmatic work on Empreintes Digitales label
RAYONS (2021) 8m19, acousmatic work on SUPERPANG label
FOISONNANT (2021) 3m14, acousmatic work on SUPERPANG label
SCINTILLE (2021) 2m58, acousmatic work on SUPERPANG label
POLYPHONIE (2021) 1m05, acousmatic work on SUPERPANG label
VISIONNEMENT (2021) 3m50, acousmatic work on SUPERPANG label
Poly (2021) 2m, acousmatic work on SUPERPANG label
Sur la lame (2020) 6m film score directed par Marie Chouinard
jardin de sculptures éphémères – acte 1 (2020) 23m, music for dance (cie. Marie Chouinard)
La chute de l’empire Américain (2018) film score directed par Denys Arcand
Radicale vitalité (2018) 85m, music for dance (cie. Marie Chouinard)
bjvfewo (2018) A/V for 1 Hd Screen
Jérôme bosch : le jardin des délices (2016) 75m, music for dance (cie. Marie Chouinard)
Soft Virtuosity, Still Humid, On The Edge (2015) 50m, music for dance (cie. Marie Chouinard)
Spiral no.1 14m52s (2015) electric guitar (Tim Brady), 3d imagery and real time electronics.
Study no.1 & no.2 for EMPAC Hall (2014) 10m00s, acousmatic work
Les corpuscules agglutinés (2014) 15m, for ensemble, tape and live electronics (ECM+)
Corps Célestes (2013) 25m, music for dance and video dome of the SAT (cie. Marie Chouinard)
Concatenare IV (2013) 5m, visual music for 1 HD screen
Concatenare II – III (2012) 9m00s, A/V 1 HD Screen
Concatenare I (2012) 9m00s, A/V for 10 HD Screen
Julie is waiting (2009-2012) 57m00s, opéra for 2 singers (Fides Krucker et Richard Amstrong), and electroacoustic
4 histoires néguentropiques (2011) (1) – (2) – (3) – (4) 52m00s, string quartet (Chorum), and A/V
Foules/mouvement (2011) 44m00s, ballet (cie. Marie Chouinard)
Systemic Shock (2011) 5m00s, A/V presented at Transmédiale Berlin
Yutiröp (2011) 14m49s, for 6 percussions (Sixtrum), electronic and visuals
Rhizome (2010) 14m42s, flûte (Cléo Palacio-Quentin), electroacoustic, real time processing & video
Particules IV (2010) 5m49s, piano (David Cronkite) & video
13 miniatures, Chants, contre-chants, amalgames (2010), 23m00s, acousmatic on Störung label
Le nombre d’or (live) (2010), 90m00s, ballet (cie. Marie Chouinard)
Gloires du matin (2009), 55m00s, ballet (cie. Marie Chouinard)
Nervures (2009), 12m00s, acousmatic
Particules III (2009), piano, realtime electronic & video
Pulsacion (2009), 9m00s, percussion (ECM+Phil Hornsey), electroacoustic & video
Orphé et Euridyce (2008), 95m00s, Ballet (cie. Marie Chouinard)
Epoché [Épochè] (2008), 10m00s, A/V
Particules II (2007), 5m00s, A/V for 10 HD Screens
Enfant d’obus (2007), 10m02s, acousmatic
Plastide (2007), 12m00s, (ECM+Alizé) 8 flûtes, electroacoustic & real time processing
Gen_3 (2007), 8m56s, acousmatic
Matério_*** (2007), 9m48s, acousmatic
Matério_** (2006), 8m00s, acousmatic
Matério_* (2006), 9m00s, acousmatic
Miniatures II (2006-07), 15m00s, string quartet (Bozzini), A/V & real time processing
Miniatures (2006), 15m00s, string quartet (Bozzini), A/V & real time processing
Flesh (2006), 5m00s, pornographic A/V
Particules (2006), 10m00s, amplified piano (David Cronkite), A/V & real time processing
Hyper Lucidity (2005), 15m00s, Yamaha Disklavier (David Cronkite) & real time processing
Mouvement (2005), 20m00s, ballet (cie. Marie Chouinard)
L’archange (2005), 52m31s, opéra (Chants Libres) 3 voice, 1 actor & electroacoustic
Body_Remix (2005), 110m00s, ballet (cie. Marie Chouinard)
Hi_Res (2005), 13m37s, acousmatic
Grain de sable (2004-05), 14m35s, acousmatic
Dans le silence (2004), 55m00s, ballet (Jocelyne Montpetit)
Chorale (2003), 40m00s, ballet
Cantique no 1 (2003), 15m00s, Louis Dufort/Marie Chouinard, A/V
Cantique no 2 (2003), 20m00s, Louis Dufort/Marie Chouinard, A/V
Les cerisiers (2003), 50m00s, ballet (Jocelyne Montpetit)
L’orchestre de granulation (2003), 32m00s, Cal Crawford, Aimé Dontigny, Érick Dorion, Louis Dufort, Philémon Girouard, Julie Rousse, David Turgeon
Sound Object (2003), 10m00s, A/V
Manu militari (2003), 18m00s, saxophone quartet (Quasar) & real time processing
Trip à six (2003), 12m00s, 6 electronic pianos (ECM) synchronized video
Intonarumori (2002), 20m00s, port symphony & real time processing
Déflagration (2002), 13m00s, chamber ensemble (ECM) & real time processing
La femme des sables (2002), 60m00s, Ballet (Jocelyne Montpetit)
Spiel (2001), 16m00s, flûte (Claire Marchand), electroacoutic & real time processing
Étude no 1 (2001), 22m00s, Solo (cie. Marie Chouinard) tap dancer & real time processing
Accident (2001), 12m00s, saxophone soprano (Marie-Chantale Leclerc – Quasar) & real time processing
Silo mon amour (2000), 25m00s, singer (Émilie Laforest), A/V & & real time processing
Le cri du monde (2000), 60m00s, ballet (cie. Marie Chouinard)
Décap (2000), 24m07s, acousmatic
Symphonie du millénaire (2000), 90m00s Voix (Pauline Vaillancourt), bande et traitement, 333 musiciens, 2000 carillonneurs, 15 clochers, grand orgue, carillon de 56 cloches et 2 camions de pompier
Zénith (1999), 14m31s, acousmatic
Consomption (1999), 16m00s , singer (Émilie Laforest) & real time processing
Transit (1998), 12m20s, acousmatic